THE Venetian Twins, written by Carlo Goldini 260 years ago, has been brought right up to date by Mancunian translator Ranjit Bolt, who has added a hefty dollop of Lancastrian humour to the script.

The story is a classic case of mistaken identity, as identical twins Zanetto and Tonino, both played expertly by Nick Haverson, compete for the affections of their two brides-to-be.

Joanna Holden’s put-upon maid, Columbina, stood out as the comic performance of the night, but it was the presentation that lifted this production to a whole new level. Performers leapt into the action via trampolines which surrounded the raised stage — a uniquely surreal touch which proved quite memorable.

The cast created a decent slice of on-stage chemistry which forces the audience to join in the fun. It is impossible not to love Dudley Rees, as Zanetto’s loyal man servant — the moment he meets his bride-to-be is priceless; and Antony Jardine is wonderfully repugnant as the sleazy Y-front clad Lelio.

The two brides-to-be, Rachel Donovan, as Rosaura, and Caitlin Mottram, as Beatrice, are superb, while old-hand Alister Cameron handled the role of the doctor with consummate ease. Peter Peverley and James Traherne complete the ensemble, both taking on double roles successfully.

The energy of the whole production was admirable but the first half dragged on. The Venetian Twins is a play that requires concentration and the interval didn’t come a minute too soon.

The conclusion however, is brilliant. There are countless loose ends to be tied up, and the final darkly humorous line is worth the wait.

In his programme notes, director, Paul Hunter, says he hopes to unleash a "joyful sense of anarchy" on the Octagon. With help from his designer, Michael Vale, he has succeeded.