The Ghost Train Tattoo,

Manchester

Runs until April 15 THE destructive elements of family life loom large in this new play by Simon Robson.

Although there are some very perceptive moments about the effects of parental love and domination, the many strands in the narrative sometimes make the play difficult to follow.

But there is some terrific acting particularly from Terence Wilton as George, the apparently well-intentioned father who manages to be the greatest destroyer of all.

Strangely, and cleverly, George is so monstrous he often becomes a comic character, never more so than when he is presenting his version of being forbearing.

His patience is stretched when he leaves his long-suffering wife, Margaret -- a beautifully understated performance by Jenny David -- for the selfish Anna.

Gabrielle Drake is wonderful as Anna. She too manages to walk the tightrope of hellish and humorous.

Jessica Lloyd makes a seriously troubled Jenny and Joseph Murray is touching as Freddy, the sensitive soul.

His scenes with his music teacher, Julia -- a well rounded performance from Margo Gunn -- are beautifully played.

Richard Lynch is believable as the elder brother who can't wait to escape from his father's power.

At times the stage seems too large for the sparse scenery, but that helps the overall effect of bleakness.

Direction by Graham Murray and Sarah Frankcom is swift and sure.

The Ghost Train Tattoo -- the significance of the title eludes me -- will play in repertoire with Snapsots. I recommend the former but not the latter. Doreen Crowther

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