Africa’s largest film festival is being held in the West African nation of Burkina Faso amid soaring jihadi violence that has killed thousands of people and displaced nearly two million.

The week-long festival – known by its French acronym FESPACO – in the capital Ouagadougou is a symbol of endurance: in years of political strife and Islamic extremist attacks it has never been cancelled.

“We only have FESPACO left to prevent us from thinking about what’s going on,” said Maimouna Ndiaye, a Burkinabe actress who has four submissions in this year’s competition.

“This is the event that must not be cancelled no matter the situation.”

Burkinabe actress Maimouna Ndiaye poses for a photo after an interview in Ouagadougou, Burkina Faso
Burkinabe actress Maimouna Ndiaye in Ouagadougou, Burkina Faso (Sophie Garcia/AP)

Since the last edition of the biennial festival in Ouagadougou, the country’s troubles have increased.

Successive governments’ failures to stop the extremist violence triggered two military coups last year, with each junta leader promising security – but delivering few results.

At least 70 soldiers were killed in two attacks earlier this month in Burkina Faso’s Sahel region.

The fighting has also sowed discord among a once-peaceful population, pitting communities and ethnicities against each other.

Nevertheless, more than 15,000 people, including cinema celebrities from Nigeria, Senegal and Ivory Coast, are expected in Ouagadougou for FESPACO, Africa’s biggest film festival that was launched in 1969.

Some 1,300 films were submitted for consideration and 100 have been selected to compete from 35 African countries and the diaspora, including movies from Dominican Republic and Haiti.

Motorcycles parked in front of the headquarters of the FESPACO (Pan-African Film and Television Festival) in Ouagadougou, Burkina Faso
Motorbikes parked in front of the headquarters of FESPACO (Pan-African Film and Television Festival) in Ouagadougou, Burkina Faso (Sophie Garcia/AP)

Nearly half of those in the fiction competition this year are directed by women.

Among them is Burkinabe director and producer Apolline Traore, whose film Sira – considered a front-runner in this year’s competition – is emblematic of many Burkinabes’ suffering.

It tells the tale of a woman’s struggle for survival after being kidnapped by jihadis in the Sahel, as her fiance tries to find her.

Still, Traore is upbeat about her country’s prospects.

“The world has painted Burkina Faso as a red country. It’s dangerous to come to my country, as they say,” she told The Associated Press.

“We’re probably a little crumbled but we’re not down.”

A statue of Paulin Soumanou Vieyra, considered one of the founding fathers of African cinema, is displayed at the headquarters of the FESPACO (Pan-African Film and Television Festival) in Ouagadougou, Burkina Faso
A statue of Paulin Soumanou Vieyra, considered one of the founding fathers of African cinema, is displayed at the headquarters of FESPACO in Ouagadougou (Sophie Garcia/AP)

Government officials say they have ramped up security and will ensure the safety of festival attendees.

Many hope FESPACO will help boost domestic unity and strengthen ties with other countries, at a time when anti-French sentiment is on the rise in Burkina Faso.

Wolfram Vetter, the European Union ambassador in Burkina Faso, called the film festival “an important contribution to peace and reconciliation in Burkina Faso and beyond”.

The EU is the event’s largest funder after the Burkinabe government, and has contributed approximately 250,000 euros (£220,000).