Dial M For Murder
Opera House, Manchester
Runs until Saturday

Probably most famous as the-filmed-in-3D, but-still-quite-stagey Alfred Hitchcock film of 1954 starring Grace Kelly and Ray Milland, this was originally an ingenious play - and it still works best in the theatre.

It tells the story of a husband's meticulously planned plot to murder his wife after discovering she has had an affair.

So, this is not a whodunit, it's more a case of willhegetawaywithit.

With just four characters, the quality of the acting is crucial and the strong cast do an excellent job of bringing playwright Frederick Knott's work to life.

All Creatures Great and Small star Christopher Timothy tops the bill as inspector Hubbard and makes for a convincing dogged copper, while Daniel Betts is outstanding as despicable husband Tony Wendice, an outwardly charming and erudite gentleman - but not far beneath the surface lurks a cold, calculating, monster.

Director Lucy Bailey sets the play in one room, whose walls are decorated - aptly - blood red, and a rotating stage allows for some interesting changes in perspective throughout.

The expertly choreographed murder scene packs a punch and the whole production has a tense atmosphere.

It's a shame there were not more people in the audience to enjoy this murder thriller; I suspect those that were came away thoroughly entertained.

Ian Savage