PEOPLE often bemoan the lack of true opera staged in Bolton, yet last night the Albert Halls was only half full to appreciate the delights of Eugene Onegin.

Perhaps not the most famous of operas, it nevertheless has the music of Tchaikovsky, and this production boasts a wealth of young -- yet experienced -- talent.

It was a delight to see the lead roles, including that of musical director, taken by youthful faces who not only looked the part but sounded it, too.

Many come courtesy of the Royal Northern College of Music and, if last night is anything to go by, then each must surely have a sparkling future.

The opera is not the most accessible to those who do not usually attend this form of entertainment. But its story is full of drama and passion, making it follow a pretty traditional format.

Its music is delightful and all who played the lead roles last night were terrific. Clare Ormshaw was marvellous in the demanding role of Tatyana. She appears again on Friday, with Jane Hyde appearing in the role on Thursday and Saturday.

Stephen Wells as Eugene Onegin, and Gary Davis as Lensky, were also excellent.

The lead roles were more than matched by a strong chorus. But special mention must go to the outstanding orchestra, under the watchful eye of Carl Penlington-Williams.

Scenery was sparse but, particularly during the highly charged duel scene, helped by clever lighting, was very effective. Eugene Onegin is a must for the true opera fan. It is a doomed love story, and builds to a stirring, emotional crescendo in the best traditions of opera. Beverly Greenberg