at The Albert Halls. Runs until Saturday THIS production of the Merry Widow was a sumptuous feast of colour, costume and of course beautiful music.

But there was one particular aspect of this show which ensured the audience remained merry . . . the widow herself!

Judith Riley as the widow, Madame Anna Glavari, was stunning.

This was her premiere performance with the Farnworth company, and it was immediately obvious why director, Anthony Williams -- also working with the group for the first time -- enlisted her.

Her voice was superb, simply enchanting the audience, particularly with her performance of Vilia, the opening number in the second act. She also looked the part performing the role of the beautiful widow with grace and ease.

Charismatic

This is not to overlook the remainder of a very strong cast. One or two first night jitters saw a struggle with a couple of lines, but overall, the production was very strong. Simon Westwell as Danilo was charismatic, while Farnworth favourite, Janice Lewis, as Valencienne, the Baron's wife with the roving eye, was terrific. Cyril Armstrong, as the Baron, while not the strongest singer in the group was certainly the most fun. The chorus too was very strong.

The production, which includes a great many recognisable numbers, was brought into the 1920s, with a collection of glittering and beautiful costumes.

The set, which remained constant throughout, was elegant, and the lighting, very cleverly manipulated.

The show was performed over three acts, and was a little long. But overall this was yet another enjoyable, professional and spectacular production put on by a company whose terrific reputation is so obviously well deserved. Beverly Greenberg